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Final verdict: 8/10 ★★★★☆
Between the hip-hop/R&B hybrid stylings (peep the synth strings, the heavily autotuned vocals, and the generously syncopated rap flow, all of which vaguely remind me of BoA’s 2000 anthem “ID; Peace B”) and the hippie lyricism, it’s safe to say that what we got here is a rather traditional approach to soul – and real soul at that. It really does come from an earnest place, from the soul, even – the world is a messy land, and where love should sprout, we instead see folks fighting over what would logically be filed “trifles.” In 2026 more than ever before, we see the growing tensions between individuals and nations alike impact the cultural scene, all in new and unprecedented ways. I would love to say that we’re going right back to the 1960s with the “spread love, not hate” agenda, but in all truth, modern pacifist ideology is radically different from what it used to be back in the day – with late-stage capitalism and increasingly inane politics taking the lead, the cynicism that is characteristic of a sizeable chunk of society’s worldview is only justified. And no one understands this fact better than Darrell Kelley.
Now, Kelley is a man of many facets. The Atlanta-based singer, songwriter, political activist, pastor, author and entrepreneur is well-versed in enough disciplines that we can in all reason accept that he knows what he’s talking about. Though he raps about what appears at first glance to be common sense, give it a second thought, and you’ll discover that his narrative is well necessary in this day and age – it’s something people need to get in their noggins, pronto. A powerful statement against violence, his 2025 single “Sick of This” is much of what its title proclaims; the artist is, before all else, sick of this– “this,” in this context, referring to the relentless hatred dividing the people of the world. The world is full of evil at the end of the day, and Kelley is sick of it. In “Sick of This,” he advocates for a utopia in which love permeates all aspects of life, flooding every street corner and promoting brotherhood between all – and I would say it is just the reminder we need. It might not be much in the grand scheme of things, but if it makes at least one person reconsider their assumed hostility, it’s well worth it.
The lyrics are simple yet forceful, and the tune itself is plenty good (though overshadowed by the activism on show). It ain’t perfect, but then again, is anything really perfect in this fever dream we term “life”? It is close enough, so let us leave it be. Besides, I quite enjoy it; both its powerful message and its engaging sound are most appreciated. With that, I would grade “Sick of This” a solid 8/10. The question is, what would you, my dear reader, say about it? Let me know, and don’t forget to keep civil while you’re at it.
Silia 
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